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The Evangelist and the Impresario: Religion, Entertainment, and Cultural Politics in America, 1884-1914 (New Studies in American Intellectual and Cultural History) ReviewIrvine and Poli (the evangelist and the impresario) are purveyors of late 19th century working-class culture. Irvine, whom the bulk of the study rests on, is preacher, socialist, writer, and vaudeville actor. Poli is a vaudeville entrpreneur. Both men triumph over the religious, ethnic, and labor divisions inherent in working-class communities to create a mass culture that mixes entertainment, evangelical impulses, and labor union rhetoric. AND if you think that is convoluted, just read this book. I am a doctoral student in history, and I reached for the dictionary more than a dozen times in reading this. Historians note that this work is riddled with social scientific models and constructs. The author's style is gradiloquent and verbose. Not for pleasure reading. Ponderous.The Evangelist and the Impresario: Religion, Entertainment, and Cultural Politics in America, 1884-1914 (New Studies in American Intellectual and Cultural History) OverviewWant to learn more information about The Evangelist and the Impresario: Religion, Entertainment, and Cultural Politics in America, 1884-1914 (New Studies in American Intellectual and Cultural History)?
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